Enhancing Art Accessibility through Data Augmentation
New method uses generative models to improve art interaction and data quality.
― 6 min read
Table of Contents
- The Problem of Limited Data
- A New Approach to Data
- Data Augmentation Strategy
- Challenges in Training Models
- Existing Solutions and Limitations
- The Proposed Data Augmentation Method
- Generating Variations
- Using Pre-Trained Models
- Significant Contributions
- Related Approaches in Computer Vision
- Datasets for Artworks
- Data Augmentation Techniques for Art
- Diffusion Models
- Experimentation and Results
- Image Captioning Experiments
- Quantitative Analysis
- Image Retrieval Testing
- Qualitative Observations
- Conclusion
- Original Source
- Reference Links
Cultural Heritage is important for society, and new technologies are helping to make art and historical pieces more accessible to everyone. Various tools like smart audio guides and personalized content are enhancing how people interact with art. However, there is a challenge in the area of machine learning, as there often isn't enough data about Artworks to train effective models.
The Problem of Limited Data
Artworks are usually unique, which means there is a limited amount of data available. While traditional computer vision models can be used, they may not perform well with art since the training data usually consists of standard photos rather than paintings. This gap creates a problem known as domain shift, resulting in lower performance when applying these models to art.
A New Approach to Data
To tackle the issue of limited data in the cultural heritage field, a new method is proposed. This method uses generative models to create new variations of artworks based on their descriptions. By doing this, the diversity of the dataset is increased, allowing the model to better understand the characteristics of art and produce more accurate captions.
Data Augmentation Strategy
The proposed strategy focuses on augmenting datasets specifically for Image Captioning. By combining textual descriptions of artworks with a diffusion model, several variations of the original artworks can be generated. These variations retain the painting's content and style, making it easier for models to learn from them.
Challenges in Training Models
Training models using artworks presents unique challenges. First, the technical language used in art descriptions is often complex. Second, the visual concepts in art can be abstract. These factors make it difficult for models to effectively learn from conventional datasets.
Existing Solutions and Limitations
One common approach for dealing with limited data is to use data augmentation techniques, which introduce small changes to the training data to help models generalize better. Common methods include adding noise or altering colors, but these changes can sometimes misrepresent the artwork's original meaning.
The Proposed Data Augmentation Method
The augmentation method introduced here improves training data quality and maintains the original artwork's meaning. It focuses on creating variations that increase the amount of training data while preserving the art's integrity. This method also aims at improving image captioning tasks by linking visual content to suitable technical language.
Generating Variations
The process begins with the original artwork and its description. By conditioning a diffusion model on the description, various new versions of the artwork are produced. This results in a variety of images that provide richer visual context without altering their essential content.
Using Pre-Trained Models
One advantage of the proposed method is its compatibility with existing pre-trained models. By using knowledge from well-established models, the aim is to better align the visual components of artistic works with the specialized language used to describe them.
Significant Contributions
This work offers a few main contributions:
- A new way to augment cultural heritage datasets when there is little data, focusing on the essence of the content rather than technical aspects.
- Support for better understanding and alignment of visual representations and their descriptions, particularly where specialized language is used.
- Evidence demonstrating the effectiveness of this augmentation strategy in improving image captioning and retrieval tasks.
Related Approaches in Computer Vision
In cultural heritage, various computer vision techniques have been explored. Many of these efforts revolve around classifying and recognizing artworks, which can enhance engagement with users. However, few studies have focused on image captioning, which automatically generates text descriptions based on visual input.
Datasets for Artworks
Most available datasets for art have been assembled through online sources or crowd-sourced annotations. Examples include Artpedia and ArtCap, which combine artworks with various descriptions. These datasets differ in structure and complexity, with Artpedia containing longer, more detailed descriptions compared to ArtCap's simpler approach.
Data Augmentation Techniques for Art
Traditional image augmentation methods often involve basic adjustments, such as random noise or flipping images. However, with artworks, these alterations might distort the critical details that hold significant meaning. This paper discusses various existing methods, like style transfer and generative models, which have attempted to improve dataset diversity in the context of artistic works.
Diffusion Models
Diffusion models, particularly Latent Diffusion Models (LDM), are gaining attention for their output quality. These models operate in a compressed space to enhance processing efficiency while retaining high visual fidelity. By conditioning these models on text and images, they can generate enriched data, serving the needs of cultural heritage tasks.
Experimentation and Results
To evaluate the proposed method, experiments involved two art datasets: Artpedia and ArtCap. The focus was on augmenting the datasets and observing the impact on model performance. Using a combination of real and generated images during training, the aim was to assess improvements in tasks such as image captioning and cross-domain retrieval.
Image Captioning Experiments
The effectiveness of the augmentation technique was tested by training image-captioning models with both augmented and non-augmented data. Models like Generative Image-to-text Transformer (GIT) and BLIP were utilized, showing that the incorporation of augmented images significantly improved the quality of generated captions.
Quantitative Analysis
Various metrics were employed to assess the generated captions' quality, including BLEU, ROUGE, METEOR, and CIDEr. Results indicated a clear enhancement in performance through the use of the proposed data augmentation method, outperforming other existing techniques.
Image Retrieval Testing
For the image retrieval tasks, the CLIP model was employed. Testing showed a notable improvement in retrieval tasks when using augmented data. The results demonstrated that the method enhanced the model's ability to effectively retrieve images based on text and vice versa.
Qualitative Observations
In addition to quantitative results, visual inspections were conducted to assess the model's performance. Observations highlighted improvements in the richness of the generated captions, especially when fine-tuned with data-augmented datasets. This qualitative assessment further supports the effectiveness of the proposed method.
Conclusion
In summary, the proposed data augmentation technique helps to better utilize fine art datasets. By focusing on semantic stability, it overcomes the limitations of traditional augmentation methods, which often distort the meaning of artworks. This work aims to enhance how cultural heritage can be accessed and appreciated digitally, making art more understandable and retrievable for everyone involved.
Title: Diffusion Based Augmentation for Captioning and Retrieval in Cultural Heritage
Abstract: Cultural heritage applications and advanced machine learning models are creating a fruitful synergy to provide effective and accessible ways of interacting with artworks. Smart audio-guides, personalized art-related content and gamification approaches are just a few examples of how technology can be exploited to provide additional value to artists or exhibitions. Nonetheless, from a machine learning point of view, the amount of available artistic data is often not enough to train effective models. Off-the-shelf computer vision modules can still be exploited to some extent, yet a severe domain shift is present between art images and standard natural image datasets used to train such models. As a result, this can lead to degraded performance. This paper introduces a novel approach to address the challenges of limited annotated data and domain shifts in the cultural heritage domain. By leveraging generative vision-language models, we augment art datasets by generating diverse variations of artworks conditioned on their captions. This augmentation strategy enhances dataset diversity, bridging the gap between natural images and artworks, and improving the alignment of visual cues with knowledge from general-purpose datasets. The generated variations assist in training vision and language models with a deeper understanding of artistic characteristics and that are able to generate better captions with appropriate jargon.
Authors: Dario Cioni, Lorenzo Berlincioni, Federico Becattini, Alberto del Bimbo
Last Update: 2023-08-14 00:00:00
Language: English
Source URL: https://arxiv.org/abs/2308.07151
Source PDF: https://arxiv.org/pdf/2308.07151
Licence: https://creativecommons.org/licenses/by-sa/4.0/
Changes: This summary was created with assistance from AI and may have inaccuracies. For accurate information, please refer to the original source documents linked here.
Thank you to arxiv for use of its open access interoperability.