Introducing PEAVS: A New Way to Measure Audio-Visual Sync
PEAVS analyzes how well audio and video work together for better viewer experiences.
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In the world of videos, matching sound with the visuals is crucial for a good viewing experience. When audio and video do not sync well, it can confuse viewers and reduce enjoyment. Recent technology has helped create and understand audio-visual content, but measuring how well sound and visuals come together has lagged behind. While there are many tools to assess audio and video separately, very few exist to check if they sync properly. To improve this situation, we have developed a new tool called PEAVS, which stands for Perceptual Evaluation of Audio-Visual Synchrony.
The Need for a New Metric
Existing methods for evaluating audio and visuals often fall short when it comes to assessing how well they work together. Many studies focus only on sound or visual quality, ignoring how these elements interact. This gap makes it hard for researchers and creators to evaluate their work effectively. For example, some recent research has tackled Audio-visual Synchronization primarily by checking time delays. However, true synchronization involves several factors, such as speed variations and other disruptions.
To tackle these challenges, we created a new metric that examines various audio-visual synchronization issues. We also gathered a large set of human opinions to create a more reliable evaluation system that aligns with how people perceive audio-visual content.
Dataset
Building theA key part of developing PEAVS was gathering a large dataset where humans reviewed audio-visual synchronization issues. We collected over 100 hours of diverse video content that included different types of synchronization problems. These videos were carefully selected to ensure they represented real-world scenarios where audio and video might not align perfectly. Our dataset consists of various scenarios like dogs barking, cars driving past, and instruments being played, providing a robust set of examples.
We also introduced several types of audio-visual Distortions to create a true-to-life testing environment. These distortions include shifting the audio either forward or backward in time, changing the speed of either the audio or video, and even creating moments of silence in the audio. Our goal was to cover a range of possible issues viewers might encounter.
Human Annotations
To check how well PEAVS performs, we needed human evaluators to assess the synchronization quality of each video. Our method involved showing two videos side by side and asking the evaluators to rate their synchronization on a scale from one to five. This rating system was designed to gauge how well audio and visuals matched up, focusing solely on their alignment without considering individual quality.
Each video was evaluated multiple times to ensure reliability. This step was crucial in understanding how people perceive audio-visual synchronization. The collected ratings created a rich dataset that we could use to train and evaluate our new metric.
The PEAVS Metric
The PEAVS metric itself is designed to automatically analyze audio-visual synchronization. It operates on a five-point scale based on the guidelines informed by human Evaluations. This automatic scoring system allows creators and researchers to assess synchronization quality efficiently, making it easier to spot areas that may need improvement.
Our metric examines various synchronization challenges, such as speed discrepancies, intermittent silences, and fragments that are out of order. By doing so, PEAVS provides a comprehensive assessment of how well sound and visuals work together.
Comparison with Existing Methods
To understand how effective PEAVS is, we compared it against existing metrics. Traditional metrics often focus on measuring audio or video quality in isolation, which does not reflect how people watch videos. In our tests, PEAVS consistently showed a strong correlation with human evaluations, indicating that it accurately captures the viewer's experience.
Furthermore, PEAVS outperformed several existing metrics when tested against real-world scenarios. For example, while older metrics might only recognize audio shifts, PEAVS considers multiple dimensions of synchronization problems, making it a more versatile tool.
Evaluating Distortion Types
One of the critical aspects of our work was examining how different types of distortions affect synchronization perception. Through our extensive dataset, we could analyze how different distortions influenced ratings and which issues were most noticeable to viewers.
Intermittent muting was found to be the most disruptive distortion, indicating that viewers quickly notice when audio disappears for short periods. Other distortions, like speed changes, also had notable impacts, but they varied in how much they disrupted the viewing experience.
Preliminary Experiments
As part of our development process, we conducted several preliminary experiments to assess how various metrics respond to synchronization challenges. This involved using models to assess audio-visual samples and checking how they reacted to specific distortions.
We found that PEAVS was especially adept at capturing the nuances of different distortions. For instance, when assessing audio shifts, PEAVS demonstrated a clear understanding of how slight changes in timing impact viewer perception. These initial tests confirmed the effectiveness of the PEAVS metric and reinforced its potential as an evaluation tool in the audio-visual field.
Model Training
Training PEAVS involved two main stages. The first stage focused on pre-training the model to recognize aligned and non-aligned pairs of audio-visual content. By creating a clear distinction between these pairs, we ensured that the model could learn to focus on the critical factors that impact synchronization.
In the second stage, we fine-tuned the model based on human evaluation scores. This approach aimed to achieve a close correlation between predicted scores and actual viewer assessments. By training the model this way, we established a robust framework for evaluating audio-visual synchronization.
Results and Analysis
After training, we tested PEAVS against a test set to assess its performance. The results revealed that PEAVS scored significantly higher than traditional metrics when it came to predicting human evaluations. This success was particularly evident across various distortion types, confirming that PEAVS can effectively assess synchronization quality.
Furthermore, our analysis of different distortion types showed that PEAVS is sensitive to perceptual challenges. For example, its performance was notably strong in detecting intermittent muting issues, where viewers often expressed a clear understanding of the disruption.
Limitations
Despite its strengths, PEAVS has limitations. The dataset used for training was not exhaustive, representing only a portion of the vast range of potential audio-visual content. Furthermore, while our metric excels in evaluating a diverse range of distortions, future work could expand the types of distortions included during training to enhance its capabilities.
Additionally, due to proprietary issues, some scenarios involving talking faces were not explored, limiting the dataset's diversity. Addressing these limitations will be essential for future research, as a broader dataset would improve the metric's generalization to various contexts.
Future Work
The development of PEAVS sets the stage for future advancements in audio-visual synchronization evaluation. Our work opens several avenues for further exploration, such as expanding the dataset to include more diverse scenarios and refining the metric to capture a broader array of synchronization challenges.
Moreover, future research could investigate the integration of PEAVS with other evaluation metrics to create a holistic assessment tool for audio-visual content. Such collaborations could lead to more robust evaluations, driving improvements in content creation and technology development.
Conclusion
In conclusion, PEAVS represents an important advancement in measuring synchronization quality in audio-visual content. By focusing on how sound and visuals interact, this new metric provides a more accurate assessment of viewer experience. As the landscape of audio-visual content evolves, tools like PEAVS will be vital for maintaining high-quality production standards and understanding audience perceptions. By bridging the gap in evaluating audio-visual synchronization, we hope to improve the overall quality of multimedia experiences for everyone.
Title: PEAVS: Perceptual Evaluation of Audio-Visual Synchrony Grounded in Viewers' Opinion Scores
Abstract: Recent advancements in audio-visual generative modeling have been propelled by progress in deep learning and the availability of data-rich benchmarks. However, the growth is not attributed solely to models and benchmarks. Universally accepted evaluation metrics also play an important role in advancing the field. While there are many metrics available to evaluate audio and visual content separately, there is a lack of metrics that offer a quantitative and interpretable measure of audio-visual synchronization for videos "in the wild". To address this gap, we first created a large scale human annotated dataset (100+ hrs) representing nine types of synchronization errors in audio-visual content and how human perceive them. We then developed a PEAVS (Perceptual Evaluation of Audio-Visual Synchrony) score, a novel automatic metric with a 5-point scale that evaluates the quality of audio-visual synchronization. We validate PEAVS using a newly generated dataset, achieving a Pearson correlation of 0.79 at the set level and 0.54 at the clip level when compared to human labels. In our experiments, we observe a relative gain 50% over a natural extension of Fr\'echet based metrics for Audio-Visual synchrony, confirming PEAVS efficacy in objectively modeling subjective perceptions of audio-visual synchronization for videos "in the wild".
Authors: Lucas Goncalves, Prashant Mathur, Chandrashekhar Lavania, Metehan Cekic, Marcello Federico, Kyu J. Han
Last Update: 2024-04-10 00:00:00
Language: English
Source URL: https://arxiv.org/abs/2404.07336
Source PDF: https://arxiv.org/pdf/2404.07336
Licence: https://creativecommons.org/licenses/by/4.0/
Changes: This summary was created with assistance from AI and may have inaccuracies. For accurate information, please refer to the original source documents linked here.
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