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AI Music Generation: The Global Disparity

Examining the bias in AI music toward Global North styles over Global South traditions.

Atharva Mehta, Shivam Chauhan, Monojit Choudhury

― 7 min read


AI Music Bias Exposed AI Music Bias Exposed representation. A deep dive into AI's flawed music
Table of Contents

Music is a universal language that speaks to people from all walks of life. It tells stories, conveys emotions, and reflects the identity of cultures. However, there is a growing concern in the world of AI music generation—many of the systems designed to create music are heavily biased toward certain musical styles. This bias seems to favor music from the Global North, which includes regions such as Europe and North America. As a result, numerous rich musical traditions from the Global South, such as those found in Africa, Latin America, South Asia, and the Middle East, are often overlooked. This article explores this imbalance in AI music generation and offers possible solutions to promote a more inclusive musical landscape.

The Rise of AI in Music

In recent years, advancements in AI have made it possible for computers to generate music automatically. Various platforms now allow users to create music based on their preferences, often using deep learning models. While these technologies offer exciting possibilities for music creation, there is a catch. The performance of these AI systems relies heavily on the Datasets they are trained on. Most datasets tend to focus on popular music genres from the Global North, leaving many fascinating musical styles from the Global South largely ignored.

Analyzing the Data

A thorough investigation into more than one million hours of audio datasets uncovered a significant problem: music from the Global South is underrepresented in AI research. Around 86% of the total dataset hours are dominated by music styles from the Global North, while music from the Global South only accounts for a meager 14.6%. This is particularly alarming considering that many AI systems are designed to generate music by learning from existing styles. If the datasets primarily include only Northern music, the result is a skewed musical output that often fails to reflect the diversity of global music.

The Importance of Musical Diversity

The rich tapestry of music from the Global South encompasses various styles, genres, and cultural significance. Each genre tells a story, whether it's the rhythmic beats of African drums, the intricate melodies of Indian classical music, or the soulful tunes of Latin American folk. When AI systems are trained on datasets lacking these musical traditions, the cultural nuances that make these genres unique can get lost. Consequently, this can lead to a homogenized musical landscape where only certain styles are celebrated, ultimately threatening the survival of numerous musical forms.

A Closer Look at the Numbers

In examining the available datasets used for AI music generation, we see a clear preference for specific genres. Pop music, for example, dominates representation, making up about 20.7% of recorded hours. This is followed by Rock and Classical music, which account for 17% and 13.5%, respectively. On the other end of the spectrum, genres such as Folk and Experimental music are severely underrepresented, with contributions of just 2.1%. This generates a learning environment for AI systems that does not accurately reflect the breadth of global music.

When isolating geographical representation, the findings paint an even starker picture. More than 6,000 hours of music in research datasets belong to European music, while African music accounts for only 28 hours. Meanwhile, music from regions like South Asia and the Middle East each contributes around 5%. The imbalance is evident and alarming, as music from Central Asia and Africa is virtually non-existent in the datasets.

Biases in AI Music Generation

The bias present in AI music generation can also arise from the types of models that are typically employed. Many models default to Western tonal structures when trying to interpret non-Western music. For instance, if a model is tasked with generating an Indian raga, it may inadvertently produce a tune that sounds like a Western pop song played on a sitar. Similarly, when generating Arabic music, the subtleties of microtones—a critical element in traditional Arabic music—might be rounded off to fit more familiar Western sounds.

This tendency not only misrepresents genres from the Global South but also diminishes the cultural richness of these musical styles. By focusing predominantly on Western musical norms, AI systems reinforce existing biases, portraying music from the Global South as less valuable or less complex.

The Implications of Underrepresentation

The underrepresentation of Global South music genres in AI music generation has far-reaching consequences. First and foremost, it threatens cultural diversity in the music landscape. As AI tools become more integral to music production, the failure to include diverse musical traditions risks erasing rich and vibrant cultural legacies.

Moreover, the focus on Global North music can limit the opportunities for Global South musicians. If their genres are not adequately represented in AI-driven content, these artists may struggle to gain recognition or find a place in the digital music space. This further exacerbates existing economic disparities within the music industry and limits the potential for these genres to evolve and adapt.

Addressing the Problem

Raising awareness about these issues is a crucial first step toward creating a more inclusive environment in AI music generation. Here are some actions that can be taken to address the imbalance:

1. Increase Dataset Diversity

One of the most effective ways to promote inclusivity in AI music generation is to ensure that the datasets reflect a wide range of musical genres. Organizations could launch initiatives to curate diverse datasets, emphasizing the inclusion of music styles from the Global South. Community-driven efforts, similar to projects that focus on language representation, can be beneficial in creating a more balanced musical database.

2. Improve Transparency in Research

Researchers should clearly state the genres utilized in their studies and outline the limitations of their models. This would provide crucial insights for users and help prevent misinterpretations of AI-generated music. Moreover, acknowledging the restrictions of symbolic music generation—particularly in capturing cultural nuances—can lead to better-informed AI development.

3. Implement Cautionary Measures

Even the most inclusive models might struggle with underrepresented genres. Therefore, if a model lacks confidence in generating music from a specific genre, it should issue a warning to users. This precaution can help mitigate the risks of distortion in the digital music landscape.

4. Promote Cross-Genre Learning

Much like how language research benefits from cross-genre transfer learning, music research can explore similar efficiencies to better represent underrepresented styles through sample-efficient methods. This could help bridge the gap between diverse genres and foster a richer musical output.

5. Foster Collaborative Efforts

The music generation community should engage in collective actions and partnerships to promote diversity. This could take the form of large-scale collaborations aimed at creating a more equitable representation of music from the Global South. By pooling resources and expertise, researchers can make a significant impact and reshape the future of AI music generation.

Conclusion

The underrepresentation of Global South music genres in AI-driven music generation is a pressing concern that requires urgent attention. The landscape of music is rich and diverse, covering a range of styles that deserve to be celebrated. By addressing the biases in AI systems, promoting transparency, and fostering collaboration, we can take meaningful steps toward a more inclusive musical future.

As AI continues to evolve and reshape the music industry, it is imperative that we ensure the voices of all cultures are heard and represented. After all, music is at its best when it reflects the variety of human experiences rather than a single narrative. With a little bit of humor, we can say that if AI were a DJ, it should ideally spin records from all corners of the world, not just the top hits on the charts!

Original Source

Title: Missing Melodies: AI Music Generation and its "Nearly" Complete Omission of the Global South

Abstract: Recent advances in generative AI have sparked renewed interest and expanded possibilities for music generation. However, the performance and versatility of these systems across musical genres are heavily influenced by the availability of training data. We conducted an extensive analysis of over one million hours of audio datasets used in AI music generation research and manually reviewed more than 200 papers from eleven prominent AI and music conferences and organizations (AAAI, ACM, EUSIPCO, EURASIP, ICASSP, ICML, IJCAI, ISMIR, NeurIPS, NIME, SMC) to identify a critical gap in the fair representation and inclusion of the musical genres of the Global South in AI research. Our findings reveal a stark imbalance: approximately 86% of the total dataset hours and over 93% of researchers focus primarily on music from the Global North. However, around 40% of these datasets include some form of non-Western music, genres from the Global South account for only 14.6% of the data. Furthermore, approximately 51% of the papers surveyed concentrate on symbolic music generation, a method that often fails to capture the cultural nuances inherent in music from regions such as South Asia, the Middle East, and Africa. As AI increasingly shapes the creation and dissemination of music, the significant underrepresentation of music genres in datasets and research presents a serious threat to global musical diversity. We also propose some important steps to mitigate these risks and foster a more inclusive future for AI-driven music generation.

Authors: Atharva Mehta, Shivam Chauhan, Monojit Choudhury

Last Update: 2024-12-12 00:00:00

Language: English

Source URL: https://arxiv.org/abs/2412.04100

Source PDF: https://arxiv.org/pdf/2412.04100

Licence: https://creativecommons.org/licenses/by/4.0/

Changes: This summary was created with assistance from AI and may have inaccuracies. For accurate information, please refer to the original source documents linked here.

Thank you to arxiv for use of its open access interoperability.

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