Decoding Emotions: The Future of Sentiment Analysis
Combining video and audio for better emotion detection.
Antonio Fernandez, Suzan Awinat
― 9 min read
Table of Contents
- The Challenge of Sentiment Analysis
- The Objective: Emotion Recognition Models
- The Datasets: A Closer Look
- Audio Classification Dataset: CREMA-D
- Video Classification Dataset: RAVDESS
- Models and Techniques
- The Audio Model: Wav2vec2
- The Video Model: Vivit
- Training Methodologies: Getting the Models Ready
- Audio Model Training
- Video Model Training
- Combining Forces: The Framework
- The Framework
- Decision-Making Methods: Finding the Best Outcome
- Weighted Average Method
- Confidence Level Threshold Method
- Dynamic Weighting Based on Confidence
- Rule-Based Logic Method
- Results: What Did We Learn?
- Limitations of the Current Study
- Future Directions: What’s Next?
- Conclusion: Looking Back and Forward
- Original Source
- Reference Links
In today’s digital age, understanding emotions has become more important than ever. It's not just about what people say but how they say it. This means looking at their faces, their voices, and even their body language. Multimodal sentiment analysis combines different types of data—like audio and video—to better capture emotions. Think of it as a super-sleuth for feelings: it uses all available clues to figure out what someone is really feeling.
The Challenge of Sentiment Analysis
Sentiment analysis is a hot topic right now, and many researchers are diving into this field. Despite the growing number of studies, finding the best way to accurately identify emotions from videos and audio remains tricky. Researchers are like detectives trying to figure out which model works best to decode the emotional mystery hidden in the sounds and sights they study.
The Objective: Emotion Recognition Models
The main goal of this research is to show how useful emotion recognition models can be when they take both video and audio inputs. This dual approach promises to enhance the accuracy of sentiment analysis. By analyzing both what people say and how they say it (including the video of their facial expressions), the hope is to create a clearer picture of their emotions.
To train these models, two specific datasets are utilized: the Crema-d dataset for audio and the RAVDESS dataset for video. The CREMA-D dataset contains a treasure trove of voice clips, while the RAVDESS dataset offers a goldmine of videos. Together, they provide a well-rounded foundation to work from.
The Datasets: A Closer Look
Audio Classification Dataset: CREMA-D
The CREMA-D dataset is not your run-of-the-mill collection of audio clips. It features nearly 7,500 recordings from 91 actors, showcasing a variety of emotions. Each actor is instructed to express one of the six emotions: anger, disgust, fear, happiness, sadness, or neutrality. They say sentences that can show these feelings in different intensities.
The labeling system for this dataset is also clever. For example, an audio file might be named something like "1001 IEO ANG HI.wav." This name gives information about the actor, the sentence, the emotion being expressed, and even how intense that emotion is. While most emotions in this dataset have around 1,300 entries, the neutral emotion isn't as popular, with only about 1,100 instances. However, that doesn’t dampen the dataset’s impact.
Video Classification Dataset: RAVDESS
On the video side, the RAVDESS dataset is equally impressive, with over 7,300 video files, each rated on various factors like emotional validity and intensity. Here, 24 professional actors perform statements in a neutral accent, expressing emotions such as calmness, happiness, sadness, and disgust. They also vary the intensity of their emotions—some statements are delivered in a normal tone while others are strongly expressed.
Just like with the audio dataset, each video is carefully labeled. This helps in quickly identifying the key details of each clip. But there’s a twist: the videos can be found in both speech and song formats. But for the purpose of this study, only the speech videos will be analyzed, as they provide the most relevant data for emotion detection.
Models and Techniques
Now that we've got our datasets, the next step is picking the right models to analyze the data. The models selected for this task are like the superheroes of machine learning—each with its unique powers.
Wav2vec2
The Audio Model:For audio classification, the team chose the Wav2Vec2 model. This model is good at handling raw audio, thanks to its multi-layered architecture that can pick up on the interesting bits of sound and convert them into meaningful representations. It’s like having a very attentive listener who can not only hear but also interpret different emotions based on speech nuances.
The Video Model: Vivit
When it comes to video, the pick is the Vivit model. This model takes video frames as input and classifies them based on the trained labels. It's built on a transformer architecture that has proven to be effective in computer vision tasks. Imagine it as a professional movie critic who does not just watch films but also understands the underlying emotions of the characters based on their expressions and actions.
With both models selected, the next step is fine-tuning them to ensure they can do their jobs effectively.
Training Methodologies: Getting the Models Ready
To train these models, a series of steps are taken. It’s like preparing for an exam; you first gather all the materials, then study each topic thoroughly before the big day.
Audio Model Training
The audio model undergoes several steps to get it ready for the task. First, an exploratory data analysis (EDA) helps understand the dataset better. Then, the model configurations are modified to fit the specific categories of emotion. Features and labels are extracted, with the dataset split into training and testing portions.
Once that’s done, the model is trained over several epochs—a fancy term for cycles of training—until it reaches a satisfactory accuracy. After about one hour and 15 minutes, the audio model reaches an accuracy of around 72.59%.
Video Model Training
The video model goes through a similar process. After performing an EDA, some modifications are needed to ensure it only works with six emotions. The video frames are prepped and fed into the model for training. After about seven hours, the video model achieves a training loss of 0.1460, indicating that it has learned well.
Combining Forces: The Framework
Now that both models are individually trained, it's time to bring them together. The idea is that by combining the audio and video inputs, the analysis of sentiments will improve.
The Framework
The framework starts by separating audio from video in an input file, allowing both parts to be analyzed simultaneously. Each model provides its predictions based on the respective input, and the probabilities for each emotion are calculated.
For the final decision-making process, several methods are employed to combine the findings of both models, much like how a jury deliberates before reaching a verdict.
Decision-Making Methods: Finding the Best Outcome
Different frameworks are tested to see which method leads to the best predictions. Here’s a quick rundown of the strategies used:
Weighted Average Method
This approach averages the probabilities but adjusts them based on each model’s accuracy. It’s like giving a higher score to a more reliable witness during a trial.
Confidence Level Threshold Method
In this strategy, the video model, being the more precise one, takes precedence. If its confidence level is over 0.7, it gets the final call. If not, the average method is used.
Dynamic Weighting Based on Confidence
This method is all about being adaptable. It calculates weights based on each prediction’s confidence level and uses those to determine the output.
Rule-Based Logic Method
This method relies on common sense. If both models agree on an emotion with a confidence higher than 0.5, that emotion is chosen. If there’s a disagreement, the output with the highest confidence wins.
Results: What Did We Learn?
After testing the different frameworks, it’s clear that using both models together tends to yield better results compared to using them separately. The averaging method and the rule-based logic method typically return the most favorable outcomes. This could be because, when both models are closely matched in accuracy, averaging their predictions helps balance things out.
However, if one model outperforms the other, the results can become a bit muddled. In such cases, the less accurate model might dilute the overall result rather than improve it.
Limitations of the Current Study
While the results are promising, there are limitations to consider. For one, the video dataset consists mainly of recordings from a single country. This very controlled environment might not reflect how people express emotions in everyday life. It's like judging someone’s cooking skills based solely on a restaurant meal; you miss out on home cooking!
Additionally, because the videos were filmed in a controlled setting, they might not handle real-world surprises like background noise or lighting changes very well. To tackle this, the researchers suggest gathering data in various environments to ensure a wider range of emotional expressions is captured.
Future Directions: What’s Next?
Looking ahead, there are several exciting avenues for research. One idea is to include a third model that utilizes natural language processing (NLP) techniques to analyze the audio’s transcribed text. This could help confirm or enhance the emotion recognition process.
Another interesting proposal is to deploy this multimodal model in a robotic therapy companion. By processing live video feeds, the robot could respond to a person's emotions in real-time, helping those with mental health challenges feel more understood and supported.
However, there is a cautionary note regarding the ethical and legal implications of using emotion recognition technologies. With regulations evolving, it is crucial to ensure that these systems operate within legal boundaries and uphold ethical standards, especially when it comes to sensitive contexts like mental health.
Conclusion: Looking Back and Forward
In summary, the combination of video and audio inputs for emotion detection shows promise. While the current results are encouraging, more resources and research could potentially lead to better accuracy and wider applicability. As technology advances, understanding human emotions through data will only get smarter, making it an exciting field to watch.
At the end of the day, whether you’re examining a person's voice, their facial expressions, or the words they say, it’s all about making sense of feelings. And who knows—maybe one day, we’ll have machines that not only understand our emotions but can also make us laugh when we need it the most!
Original Source
Title: Multimodal Sentiment Analysis based on Video and Audio Inputs
Abstract: Despite the abundance of current researches working on the sentiment analysis from videos and audios, finding the best model that gives the highest accuracy rate is still considered a challenge for researchers in this field. The main objective of this paper is to prove the usability of emotion recognition models that take video and audio inputs. The datasets used to train the models are the CREMA-D dataset for audio and the RAVDESS dataset for video. The fine-tuned models that been used are: Facebook/wav2vec2-large for audio and the Google/vivit-b-16x2-kinetics400 for video. The avarage of the probabilities for each emotion generated by the two previous models is utilized in the decision making framework. After disparity in the results, if one of the models gets much higher accuracy, another test framework is created. The methods used are the Weighted Average method, the Confidence Level Threshold method, the Dynamic Weighting Based on Confidence method, and the Rule-Based Logic method. This limited approach gives encouraging results that make future research into these methods viable.
Authors: Antonio Fernandez, Suzan Awinat
Last Update: 2024-12-12 00:00:00
Language: English
Source URL: https://arxiv.org/abs/2412.09317
Source PDF: https://arxiv.org/pdf/2412.09317
Licence: https://creativecommons.org/licenses/by/4.0/
Changes: This summary was created with assistance from AI and may have inaccuracies. For accurate information, please refer to the original source documents linked here.
Thank you to arxiv for use of its open access interoperability.
Reference Links
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- https://doi.org/10.5281/zenodo.1188976
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- https://zulko.github.io/moviepy/
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- https://arxiv.org/abs/2110.15018
- https://www.europarl.europa.eu/doceo/document/TA-9-2024-0138
- https://www.kaggle.com/antoniobfernandez/audio-sentiment-analysis-model-training
- https://www.kaggle.com/code/antoniobfernandez/video-sentiment-analysis-model-training/notebook
- https://www.kaggle.com/code/antoniobfernandez/multimodal-sentiment-analysis-test-framework-v1/notebook
- https://www.kaggle.com/code/antoniobfernandez/multimodal-sentiment-analysis-test-framework-v2/notebook