Preserving Ethiopian Chants: The Yaredawi Zema Dataset
A new dataset highlights the beauty of Ethiopian Orthodox chants.
Mequanent Argaw Muluneh, Yan-Tsung Peng, Worku Abebe Degife, Nigussie Abate Tadesse, Aknachew Mebreku Demeku, Li Su
― 7 min read
Table of Contents
- What is Yaredawi Zema?
- Why a New Dataset?
- What’s Inside the Dataset?
- The Importance of Quality Control
- How Was the Data Collected?
- Understanding the Spiritual Schools
- The Modes of Chanting
- The Notation System
- Chanting Options
- Data Processing and Quality Assurance
- Initial Findings and Future Work
- Conclusion
- Original Source
- Reference Links
The Ethiopian Orthodox Tewahedo Church (EOTC) has a rich history of spiritual and cultural music. One of the most significant aspects of this music is the Yaredawi Zema, a collection of chants that have been practiced for centuries. However, much of this unique musical heritage has remained hidden from the world of computational music research. That's where a new dataset comes into play, shining a light on these beautiful melodies and helping to preserve them for future generations.
What is Yaredawi Zema?
Yaredawi Zema refers to the sacred chants of the Ethiopian Orthodox Tewahedo Church. Named after Saint Yared, a revered composer from the 6th century, these chants are not just musical notes; they're a key part of Ethiopian religious life, embodying deep spiritual meanings. The chants can evoke emotions ranging from solemnity to joy and are often linked to particular times in the church calendar, such as holidays or periods of fasting. To put it simply, they are like the icing on the cake of Ethiopian spirituality, adding flavor and depth that’s hard to resist.
Why a New Dataset?
Traditionally, many types of music have been studied and cataloged in depth. However, the EOTC's rich musical culture has been somewhat neglected in this digital age. To remedy this, the Yaredawi Zema dataset has been created specifically to enhance the understanding and appreciation of these chants. This dataset aims to encourage more research on EOTC music, giving scholars and curious minds alike the tools they need to dive deeper into this musical treasure.
What’s Inside the Dataset?
The Yaredawi Zema dataset boasts an impressive 10 hours of recorded audio, divided into 369 instances. Each recording contains detailed annotations that offer insights into various musical elements. Here’s a sneak peek at what you can find in it:
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Word-Level Timing: Annotations indicate exactly when each word in the chants is sung. This is like having a timestamp for your favorite song, allowing you to pinpoint the exact moment a line resonates with you.
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Chanting Modes: Different chanting modes characterize various emotional tones, from deep and solemn to bright and cheerful. The dataset includes labels associated with these modes, making it easier to study how emotions are conveyed through music.
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Reading Tones: In the languages used for these chants, different tones affect meanings significantly. The dataset reflects this complexity, providing additional layers for analysis.
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Multiple Chanting Options: Many phrases in the chants can be sung in more than one way, depending on the context. This intricacy is captured in the dataset, showcasing the richness of the tradition.
The combined information allows researchers to not only appreciate the beauty of the music but to engage in deeper study, including generating new pieces of music or transcribing the lyrics.
The Importance of Quality Control
Creating such a comprehensive and valuable dataset is no small feat. It involves careful processes to ensure that the information is accurate and useful. In fact, special measures were implemented to assure the dataset’s quality. This included cleaning up the audio recordings to eliminate background noise, making sure the sounds were clear, and organizing the temporal boundaries of each chant meticulously. Think of it as giving the dataset a little spa day!
How Was the Data Collected?
The audio for this dataset was predominantly gathered from a resource that specializes in EOTC teachings. The chants included in this collection are specifically from the Se'atat Zema, also known as the Horologium chant. It’s like choosing the best dessert in a bakery; only the most exquisite chants were selected to be part of this dataset.
Understanding the Spiritual Schools
To grasp the essence of Yaredawi Zema, it's essential to know about the spiritual schools of the EOTC. These schools provide education in various areas, including the reading of religious texts and chanting. Students often spend years mastering their craft, often relying on oral traditions and annotated texts. These schools are like universities for aspiring spiritual musicians, where knowledge is passed down from one generation to the next.
The foundational school, Nibab-bet, teaches students how to read the Ge'ez language, which is vital for understanding the chants. Mastering the tones in this tonal language is crucial as it will affect how they sing the words later. The aim of these schools is to preserve the chant tradition and ensure that future generations have a chance to connect with their rich cultural heritage.
The Modes of Chanting
Yaredawi Zema features three primary modes, each with its own unique sound and emotional palette. Here's a quick breakdown:
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Ge'ez Mode: This is the simplest and is often used during regular times. It symbolizes strength and stability—think of it as the sturdy foundation of a house.
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Ezil Mode: Representing gentleness, this mode is typically reserved for somber occasions like funerals or fasting periods. It brings a slower, more tender vibe to the performance.
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Araray Mode: The most intricate of the three, this mode is characterized by lively and joyful performance. It shines during festivals and celebrations but can also incorporate a melancholic touch when needed.
Each mode carries profound meanings and emotions, ensuring that the chanting experience resonates deeply with listeners.
The Notation System
The EOTC chants rely on a unique system of notation that helps preserve the chant traditions. This system includes eight basic symbols known as neumes, which guide performances in terms of pitch, length, and even style. For many students, learning these notations is akin to deciphering a secret code, only to uncover a treasure trove of melodies.
The students master these notations alongside their chanting practices. This structured approach ensures that they not only learn to sing but also understand the nuances of the musical language, giving them the tools they need to carry on the tradition.
Chanting Options
An intriguing feature of the chanting tradition is its flexible nature. Different melodies can be used for the same phrases depending on the context. This variability adds richness to the oral tradition, allowing for personal interpretation and expression. It also means that no two performances are ever quite the same, which keeps the tradition fresh and exciting.
Data Processing and Quality Assurance
Given the complexities involved, data processing for this dataset was carefully done. Audio files were cleaned, segments adjusted, and unnecessary parts removed to ensure purity. The annotations included not just timing, but also variations in performance, ensuring that the dataset mirrored real-life chanting situations accurately.
Moreover, the team behind the dataset took extensive measures to ensure that the annotations were consistent and coherent. Annotators were asked about their confidence and adherence to guidelines, ensuring that the final product was reliable and valid. After all, nobody wants to dance to a shaky tune!
Initial Findings and Future Work
As part of the dataset’s introduction, some preliminary studies have begun. For instance, researchers used the dataset to train a model aimed at classifying the chanting modes. The model achieved a respectable accuracy rate of 69.11%, indicating significant promise in using artificial intelligence to analyze and generate similar musical styles.
The goal moving forward is to enhance this work, encouraging more research, studies, and even creative applications such as generating new chants based on the existing dataset. The hope is to keep this invaluable musical heritage alive and thriving!
Conclusion
The creation and curation of the Yaredawi Zema dataset marks an important step in the preservation and appreciation of Ethiopian Orthodox Tewahedo Church chants. This dataset not only serves as a resource for scholars and musicians but also as a bridge connecting generations, ensuring that the rich traditions of the EOTC continue to flourish.
By providing access to these beautiful chants, the dataset opens doors to new research, technological advancements, and a deeper connection to Ethiopia's cultural treasure. So, if you're looking for a new musical experience to explore, why not dive deep into the world of Yaredawi Zema? You might just find a song that speaks to your soul!
Original Source
Title: Zema Dataset: A Comprehensive Study of Yaredawi Zema with a Focus on Horologium Chants
Abstract: Computational music research plays a critical role in advancing music production, distribution, and understanding across various musical styles worldwide. Despite the immense cultural and religious significance, the Ethiopian Orthodox Tewahedo Church (EOTC) chants are relatively underrepresented in computational music research. This paper contributes to this field by introducing a new dataset specifically tailored for analyzing EOTC chants, also known as Yaredawi Zema. This work provides a comprehensive overview of a 10-hour dataset, 369 instances, creation, and curation process, including rigorous quality assurance measures. Our dataset has a detailed word-level temporal boundary and reading tone annotation along with the corresponding chanting mode label of audios. Moreover, we have also identified the chanting options associated with multiple chanting notations in the manuscript by annotating them accordingly. Our goal in making this dataset available to the public 1 is to encourage more research and study of EOTC chants, including lyrics transcription, lyric-to-audio alignment, and music generation tasks. Such research work will advance knowledge and efforts to preserve this distinctive liturgical music, a priceless cultural artifact for the Ethiopian people.
Authors: Mequanent Argaw Muluneh, Yan-Tsung Peng, Worku Abebe Degife, Nigussie Abate Tadesse, Aknachew Mebreku Demeku, Li Su
Last Update: 2024-12-25 00:00:00
Language: English
Source URL: https://arxiv.org/abs/2412.18784
Source PDF: https://arxiv.org/pdf/2412.18784
Licence: https://creativecommons.org/licenses/by/4.0/
Changes: This summary was created with assistance from AI and may have inaccuracies. For accurate information, please refer to the original source documents linked here.
Thank you to arxiv for use of its open access interoperability.
Reference Links
- https://github.com/mequanent/ChantingModeClassification
- https://eathebook.org/
- https://www.ethiopianorthodox.org/amharic/yezemametsheft/
- https://www.ethiopianorthodox.org
- https://www.ethiopianorthodox.org/amharic/yezemametsheft/yaredawi%20metsaheft/seatat%20for%20church%20service_august2016.pdf
- https://www.audacityteam.org/